1. Atlas Font Download

License Use of Jotterscript:-If you use this font for monetary gain, please pay 5 to the creator for its use.If you are making a a buck off this font, share the wealth with theguy who made it, me.Distribution:-This font is NOT to be redistributed without the express consent of the creator, who can be reached at rolfsky@email.comPlease do not change it, and include this documentation. If you would like to include it on your website or compilation CD, please e-mail me at the address, below.

Atlas Grotesk Regular Free Font The best website for free high-quality Atlas Grotesk Regular fonts, with 26 free Atlas Grotesk Regular fonts for immediate download, and 53 professional Atlas Grotesk Regular fonts for the best price on the Web.

Because, hey, I want to know where this thing goes. I'll be more than happy to approve.mailto://rolfsky@email.com. Description DE LOUISVILLE tuscan, from S E N T I N E L T Y P E designed by James ArboghastRelive the spirit of 19th century America in whimsical upbeat style with De Louisville tuscan. Echoing the Victorian craze for lavish decoration, De Louisville captures the antique flavor of a music parlor with refreshing cartoon ambiance. Cute, bubbly curves evoke strawberries & cream, a frothy head of beer, or the lace trimmings of a fine young lady's skirt, in a light-hearted display face designed for contemporary use.De Louisville is ideal for confectionary, 19th century Americana, toys & feminine subjects.The De Louisville set features:. De Louisville Regular for print.

De Louisville Bold for low resolution media. De Louisville Small Caps companion font. 23 extra characters, some with 'blind' counters. Embeddable for use with portable documentsDe Louisville is free for personal & non-profit use.

For commercial use you must purchase the commercial license version, from www.myfonts.com. License S E N T I N E L T Y P E End User License AgreementYour use of this digital typeface is conditional upon on your acceptance, without modification, of the terms & conditions expressed herein. Your use of the typeface is deemed to indicate your acceptance of all such terms & conditions.

If you do not agree to the terms, promptly destroy all materials.(iii) Postal AddressSentinel Type7a Belford RoadKew East 3121, VictoriaAUSTRALIAEmail: arboghast@hotmail.comEmail: sales@sentineltype.com1. USE(i) Sentinel Type grants to you only, the User, the non-exclusive, non-transferable right to use & display the font for personal purposes only.

The font may be used on up to five (5) CPUs and connected to any number of printers or other image producing devices at your site. (ii) You may not use the font for commercial projects. For commercial use you must purchase a commercial license from www.myfonts.com.(iii) You may send a copy of any Sentinel Type font with your documents to a commercial printer or other service bureau to enable editing or printing of a document, provided such party has informed you that it acknowledges this license agreement. You may also embed fonts within your documents for the viewing, editing & printing of those documents.(iv) You may distribute this font without permission provided the.ZIP package with EULA text, documentation & accompanying materials remains intact. You may upload the font file to bulletin boards, archive sites & include it on CD ROM collections, but you may not modify or rename it, claim it as your own work or charge money for it. Font data is protected by U.S & international copyright laws.(iv) You agree to use the Sentinel Type font for lawful personal purposes only, and not to modify, adapt, translate, publish, reverse engineer, decompile, disassemble, create derivative works of, licence or sell the font without Sentinel Type's prior written consent.2.

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Unauthorized copying, even if modified, merged, or included with other software, or of the accompanying written materials, is expressly prohibited. You may make 1 (one) copy for backup purposes, provided the copyright & trademark notices and accompanying materials are reproduced in their entirety on the backup copy, except for the purpose of distribution as expressly provided by article 1.IV above.(iv) Infringement: You may be held legally responsible for any infringement of Sentinel Type's intellectual property rights caused or encouraged by your failure to abide by the terms of this Agreement.3. DISCLAIMER & WARRANTY(i) Sentinel Type warrants this font to be free from reasonable defects in materials and workmanship under normal use for a period of 90 (ninety) days from the date of acquisition. (ii) Each user must evaluate & bear the risk inherent in any reliance on the accuracy, completeness or usefulness of the font.

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I have been in a love affair with grotesque sans serifs for many years now, so it’s no wonder I chose as my favorite type family of 2012. Its clear, plain shapes simply appeal to my innate taste. Any newly released Neo-Grotesque has to face the mother of the genre, (1957). Being Swiss myself, it is hard to picture, but some of Atlas’ curves are possibly even more reserved than Helvetica’s.

If Helvetica wore jeans, Atlas would squarely sport corduroy pants. But, boy, does it have a lot of fun in those pants! In Atlas’ case, there’s another comparison worth making.

The father of Atlas, (1959), has previously been dubbed the “Dutch Helvetica”. While, one of the three designers of Atlas, previously called Mercator “a bit amateurish”, he also called it “thoroughly adorable”. Both are certainly true: Atlas contains some clear nods to its Dutch heritage — the unusually spirited ‘Q’, the bouncy ‘a’, and a very friendly ‘t’. But where Mercator becomes a bit goofy, Atlas gets serious. If Helvetica and Mercator are the parents, there is also the uncle with whom Atlas shares a slightly uncanny resemblance. With its condensed shapes, Atlas features a rather American rhythm, reminiscent of (1902) and its compatriots.

Atlas Font Download

Despite their numerous historical roots, Atlas Grotesk and its monospaced companion, are thoroughly contemporary designs. Atlas started in 2008 as a corporate type for MunichRe, a reinsurance company. With its condensed shapes, it sports tall ascenders and short descenders. This allows for rather short line heights and economical text setting.

Its deliberate idiosyncrasies successfully differentiate it from other grotesques and show a clear attitude, but the designers never go overboard. In Atlas Typewriter’s case, they aimed for — and achieved — an unusually even texture for a monospace. This all goes to show that, while the 1950s were a great time for grotesques, contemporary type design has nothing to be ashamed of. Refined grown-up designs are a sign of our blooming craft. The Atlas collection certainly is one of them. Is a designer based in Zurich, Switzerland.

He's the co-founder of the independent Swiss type foundry.